Tuesday, January 31, 2012

Scalzi on Art, Commerce and Impermanence

At his awesome whatever blog, John Scalzi posted a short article about the best selling authors of 1912 and how they are basically unknown now.

John Scalzi wearing a tiara.
Say what you want, the man can rock a tiara.

I agree with Scalzi that Writers sometimes (perhaps often) have delusions of permanence: we are -after all- still reading Shakespeare and probably will continue to do so for the conceivable future. But the reality is that we'll never hear of the vast majority of writers, even those with that achieved significant commercial or critical success in their lifetimes.

That being said, there does seem to be more surviving 'names' and 'titles' when it comes to speculative fiction in the last century. Is this just a temporary artifact because speculative fiction is still so new, or will a larger number of science fiction and fantasy authors will just simply have a longevity denied to nearly all modern 'traditional' writers? I don't have a clue, but it's interesting to think about.

Of course, for me the question immediately becomes what strategies could an author conceivably cultivate in order to help their legacy survive? Near as I can tell, authors should try and encourage others to build off, reference and remix their work to the greatest extent possible. Film and comic book adaptations probably contribute tremendously to our remembrance of genre writers. To whit, compared to the other 1912 authors, we'll probably never forget a relatively unknown (at the time) writer named H.P. Lovecraft. This is entirely because his mythos was 1) Awesome and original 2) Incredibly inspiring to other authors/artists and 3) He actively encouraged them to build off of his work. Writers interested in staying power could do a lot worse than following his example (with the writing/promoting bits anyway, the living with the aunts-social ineptitude-racism bits... not so much).

]Seriously, did this man ever take a shit?
Hello Laaaaadies

Thursday, January 26, 2012

My First Gift From a Fan (updated)

I wrote a story called "Blood Tusk: Lord of All he Surveys - A Child's Primer" about a vampire elephant that takes over the world. I'm currently in the process of trying to sell the thing, but in the mean time I read it to my writer's group. One of my colleagues, Tamsie, enjoyed the story so much she bought me this.



It plays a song every time you touch its foot and makes me impossibly happy. I'm going to paint the beast so he resembles Blood Tusk and someday, I'll bring him with me to signings.

Update:

And this is him painted, in action.



I'm going to show him off at my writer's group tonight.

...and we're back.

Thursday, January 19, 2012

Bees vs Hornets with Epic Music





I feel so sorry for the bees, this has to feel like a freaking kaiju invasion. Can you imagine is 30 Godzillas appeared in your city?

Monday, January 16, 2012

Awesome (nonfan) Cosplay

For a video game called Firefall.



Honestly, I'm surprised more writers who work in genre don't subsidize their fans (or do contests) for their fans to do cosplay because an awesome/interesting costume is a great way to get introduced to something new.

via Kotaku

Monday, January 9, 2012

Why I Write Action Horror

Occasionally, I'm reluctant to tell people that I write horror. My problem is that -for a lot of people- 'Horror' means movies like Hostel or Saw, gleefully gory scholckfests in which the characters exist for no other reason than to murdered (or worse) horribly. The term 'torture porn' is wholly appropriate for this sort of work.

Picture above, what I don't write.

I know good people who like that sort of thing so I won't speak ill of the (sub)genre. And to be fair; I've been known to enjoy stories with violence, gore and despicable acts happening to both the innocent and guilty alike. So why split hairs?

For me, I'm interested in efficacy. I'm interested in characters who fight. Whether they live or die is immaterial; I'm interested in the struggle. And I think this struggle is often in its purest form in Action Horror. 

Pictured above, the kind of book I try to write.

My most important goal in everything I write is to tell a compelling story populated by Characters the reader cares about. If there's a secondary goal, it's this: to remind readers that -no matter how f***ed up the situation they are never powerless. Things don't always work out for my Characters but that's not the point. The struggle is the point. The pushing past fear is the point.

I use horror tropes and a fixation on fear because I believe that one of the greatest challenges in modern life is mastering our fear.