Monday, March 23, 2009

Ralan's Webstravaganza

I've been submitting a lot more fiction recently. I couldn't do it without the help of Ralan's Webstravaganza (link http://www.ralan.com/) It's pretty religiously updated, and is the best source I know of for spec fiction publication listings. For spec fiction at least, I find it incredibly more usefull then the bible sized Writer's Market (link http://www.writersmarket.com/) In fact, all the places I have been published so far, I've discovered through Ralan's.
Even if you have no interest in submitting stories to the various markets, Ralan's is still pretty awesome for finding out just how many publications are out there. And just how many niches are served. Chances are, their is a publication that is exactly what you're looking for.
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Saturday, March 21, 2009

Free Sci Fi Reader

I've been looking for this sort of a thing for a while. Simple blog, listing free web accesible science fiction. Includes a brief review and rating. Link http://freesf.blogspot.com/
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Monday, March 16, 2009

The Armed Artist Movement: A Manifesto

Recently I've been thinking a lot about neotribalism, about societal collapse, about art and about a lack of frontier. Here's my question; what's keeping people from reclaiming all the areas that -for one reason or another- have been written off?

We have all heard the anecdotes: How you can buy a house in Detroit cheaper then you can buy a car, about the foreclosed suburbs, bankrupt malls, dormant factories or the abandoned warehouses. Why not organize a mass movement of artist, crafters, writers or programmers to take back the 'slums'? Sort of like a preemptive outquisition (link http://www.boingboing.net/2008/07/13/postapocalypse-witho.html link http://outquisition.org/) Besides the societal good of rehabilitating massively depressed economies, the internet workers could enjoy a drastically reduced cost of living coupled with the ability to perform large scale community projects afforded by the cheap property. These associations should focus on creating strong, vibrant communities with an emphasis on as much self sufficiency as possible. I have always felt that doing for yourself and your loved ones (without excluding yourself form the larger world) makes for a more satisfying life. Of course, this has the added benefit of acting as collapse insurance.

Our communication technology has potentially diminished the cost of association and organization to next to nothing. We have yet to figure out exactly what this could mean. An armed artist movement could go a long way to begin exploring that territory.

I don't know how much of this appeal is limited, but I have always believed in generalizing, learning new skills and trades, making for yourself and cross pollination with other creatives could only improve your life/art/work. You could shape all this drive through a light organizational structure. Maybe center the group around a nonprofit complete with a credit union (or utilization of the nascent peer to peer lending infrastructure), home schooling mixed with a rolling apprenticeshipa amongst the fellow small crafters, public recognition of contributions to art, or culture.

Think of all the cool things you've seen online: guerrilla gardening, new and exciting art, makers and crafters of all kind, and programming of all kinds just coordinated and concentrated. Instead of lawns and parking lots everyone can have gardens. Shared cars, shared workspaces, shared whatever none of which would ever lessen the capacity for private or individual ownership. I don't even know. If you had an idea you really thought was cool, something you think society could be doing so much better all you have to do is find a few more families and take over a distressed city block or an abandoned downtown building. What would be gained if you gathered a hundred etsy makers and got them to share work/living space? I don't know. But I would love to find out.

An armed artist movement could range from full on marxist communes to a lose affiliation of people who agree to try and move into a distressed area as close as they can. I think that something in between would be most feasible, some kind of cooperative possibly organized as a nonprofit corporation. Think a super charged home owner association; but instead of trying to maximize home values the cooperative tries to encourage diversity of economy, organize for physical security. Add in a library, a one room credit union, a legal defense and medical insurance fund (or better yet a clinic) and it seems like you've got the basics for a tiny society that creates a better outcomes for its members whether we exist in the boom times of 04 or veer towards a Mad Max sensibility.

Issues. Security, infrastructure, the regulatory regime, practical challenges. The regulatory regime would probably be the most frustrating to try to deal with. I would hope that cities facing budget shortfalls and urban flight would be open to trying something a little different... but that is perhaps overly optimistic. Still, if a place is hurting how many regulations could they actually enforce? The infrastructure would be the next issues: water, power, sewage, roads and internet access. It is possible to be energy independent, but probably cost prohibitive (though the money saved on mortage payments could easily be used for solar panels). Trash can be handled somewhat easily even with a lack of official service. Even sidewalks, streets and streetlights can be repaired/maintained at a reasonable cost (every other house sets out an led floodlight). The main requirements if a community is to function in modern standards is working water and sewage infrastructure. And for these it seems, the diy ethic breaks down a little more. The question is though, what do media theorists and artisans know about running or maintaining a building? These people don't know how to build, farm, put up drywall et al. But we aren't colonizing a new planet, we're not even moving to a developing nation. Fedex still delivers. You can still put up a craigslist add for a gardener. It's just now you have greater opportunity and a ready made community of people who want to be deliberately helpfull.

If security is an issue, then the solution is strong relationships within the community coupled with being armed. And by being armed I do not mean the brandishing of gleaming machettes and anti armor rockets. Being armed means the recognition that the primary responsibility for the your safety and the safety of the people you love is your responsibility (just like healthcare on a physical and emotional level, education and food/shelter). Beyond that, security is primarily an issue of organization, of directing help where it is needed. Our communication infrastructure offers us opportunities to do things radically differently. Imagine geotagged neighborhood watchmen making the rounds, twittering the drafted message 'Alls well' every 15 minutes. Hell, you could even invite the 'real superheroes.' (link http://www.oddee.com/item_87762.aspx) You don't necessarily need guns to protect yourself, community and instant communication can do much to mitigate danger if even a skeleton police force exists. Of course, as a libertarian I think that large scale responsible gun ownership (with, perhaps, a recognition at how commonly 'open carry' is legally allowed) is only a net gain for the community.

Of course, there are issues of gentrification... with all the associated issues of race and class that accompany this process. And I don't have any easy answers. The only way to deal with it is to try and deal honestly and fairly with whoever. And get ready to listen to a lot of criticism.

People have always traveled to the frontier in order to live by their own terms. And, there were always sacrifices. Sacrifices in security, in the loss of family and the potential loss of opportunity. How much of this is mitigated by the introduction of modern communication infrastructure. Moving and trying to take over blighted areas risks the loss of physical security and various other creature comforts we have come to expect. But how much economic security is gained by moving into a co-op homestead? If you make your living off the internet, your income is the same, but how much less is your rent, your mortage your everything?

If you want to make something new, it's easiest to move into an empty space. Human nature abhors a vacuum. And the tectonic shifts of our economy have created empty spaces. So what's our frontier? Anyplace that has been written off. It is there where there are resources being underutilized to an incredible degree. Have a cool shirt design that's selling like hot cakes? Hire a hundred laid off auto workers for a week. This may sound heartless, hiring people and places for short term jobs. It is so outside our norm, where we like to imagine employment for life and processes and industries that we can bequeeth to our children. But how much waste, how much suffering is manufactured when people stubbornly cling to what used to work great twenty years ago.

I think part of the problem is, the big cities or just big problems in general tends to place an emphasis on discovering big solutions. Detroit wants the auto industry back, New Orleans and almost every other city thinks that can infrastructure and tourist their way out of their mess. Fuck large scale solutions, the end all be all fix to what ails you. Better to have a thousand independent crafters, programmers, contractors then one large factory that employs a thousand. The crafters can adapt in an ever weirder world, ever more rapid pace world and it would be nearly impossible to make them all irrelevant in one fell swoop. Of course, by being more diverse and more adaptive these independents are harder to regulate and tax as they will just more readily adapt around the legal barriers thrown in their way. Cities could undoubtedly make this process easier. They could buy up distressed properties and offer them prebundled for a nonprofit cooperative framework. Also, they could simply eradicate the reams upon reams of senseless regulation... but both these options seem unlikely.

Of late, I've been especially interested in what changes I can make in my life that will help me no matter if the world continues in its corporate capitalist path (link http://baselinescenario.com/) or if the country/world experiences in a soviet style collapse (link http://cluborlov.blogspot.com/). My list ranges from the simple, immediately available: buying bikes, keeping some cash on hand, bartering for the things I want, learning new and more basic skills and more importantly developing stronger relationships with the people I love et al. The thing that is so appealing about the armed artist emigration is that it provides a more secure, richer potentially more fulfilling life the way things are while at the same time providing a far greater level of societal collapse insurance.

Creatives get dismissed as hippies (in the bad sense) flippants, frivolous gadflies who can't engage in the vital sausage making process of real politic. It doesn't have to be that way. And maybe it won't work, maybe none of this will work. But hell, if you can't try something new on a small scale, when can you try something new?

This contraction of the economy affords us a chance to go from being renters in bohemian neighborhoods in the major metro areas to being owners crafting communities we own, with all the attendant headache and possibility that entails. It will fascinate me to watch what people make of this chance.

----Edit----

Wow. Guess I wasn't the only one with this idea. (link http://www.boingboing.net/2009/03/17/artists-buying-cheap.html)

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Wednesday, March 11, 2009

Rejections


No this isn't me, image stolen from here (http://www.flickr.com/photos/slushgod/150585004/) I just thought it was funny.

Part of my last post dealt with the rejection process from some of my favorite podcasts. I should point out that I in no way want to fault, blame or badmouth any of the editors who rejected my work. I can't even imagine the crushing slurries of slush the editors have to wade through to try to find content worth delivering.

In any event, I wanted to write a little more about rejections. They're hard. It's tough to be told no thanks, especially when I am convinced that I have crafted the finest prose this side of whoever is the finest prose writer. (Though this attitude can usually be cured by actually rereading my writing as I try to suppress the shudders). It's even harder to be told 'no' when you're trying to give your labor away. But here's the thing -and I don't know if it's just a quirk of my unique mental state- even in being rejected I feel like I am part of the literary world far beyond myself.

On a related note, I heard some great advice given by Jenna Fischer on The Sound of Young America podcast (link http://www.maximumfun.org/blog/2009/03/jenna-fischer-of-office-interview-sound.html). She said that what her acting teacher had taught that when she was going out for acting auditions, she shouldn't obsess about why she had gotten rejected or fixate when she would get a part. Instead, she should be encouraged, because her goal when auditioning was to collect 50 nos. Once she had all her nos, then she could start fretting about when she would get a yes.

Very apt advice. As of now, I am going to follow it. In fact I am going to try to see about getting .

Hey if it is good enough for the Office's Pam, it is good enough for me.



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Monday, March 9, 2009

Top three episodes of my top three podcasts: with bonus!



Escapepod (escapepod.org):
The best venue for scifi podcasting, period. The stories, production values and community built up around escapepod are one of a kind. If I had to introduce someone to what podcasts are capable of being, I would point them to escapepod.

Three random awesome picks (which could just as easily be simply random picks, its that good!):

-EP090: How Lonesome a Life Without Nerve Gas
-EP146: Edward Bear and the Very Long Walk
-EP100: Nightfall

Bonus: My escapepod rejection story.

Not really much to say. I submitted my story 'Fractal Blooms of Differentiation.' It wasn't quite up to snuff, so I got form rejection letter. Which just means back to the drawing board for John.

Drabblecast (http://web.mac.com/normsherman/Site/Podcast/Podcast.html):

The drabblecast is the spookywierdawesome podcast that makes me laugh so hard that milk shoots out of my nose. And then pygmy chibi lovecraftian slime aliens grow out of my milk/snot trailings. After an unsuccesful exorcism, and an aborted attempt by the cute eldritch horros to colonize my brain; we decided to to resolve our differences over drinks down at O'shay's. Me and my newsneezed friends ineffectually hit on chicks and played some pool, and I am going to use the story of our night as my next submission to the drabblecast. (That's the style of story the drabblecast does best!)

3 totally tubular tales dude!
-Drabblecast 99- Sarah's Window by Janni Lee Simner Drabble- We Slept Through the End of the World by Brian Baer
-Drabblecast 98 The Graggleberry Thief by Steve Clancey Drabble Culling the Herd by Nicholas Empey
-Drabblecast 85- Trifecta V

Bonus: My drabblecast rejection story!
I actually wrote my story 'How Zombies Saved the Planet' specifically for drabblecast's drabble category. And even though I only got a form letter rejection, it was the coolest form rejection letter I've ever received; perfectly capturing the strangeness of telling a well meaning submitter/fan/contributer/serial murderer 'no.' It ended, simply 'Akwardly, the Drabblecast.' Which I think is pretty cool, and is incredibly funny. But maybe only if you get or write a lot of form rejection letters.

Pseudopod (pseudopod.org):

Pseudopod scares the piss out of me on a weekly basis. What more could you ask for from a horror podcast?

3 stories are still with me, even though I keep washing till my skin bleeds

Pseudopod 047: Akropolis
Pseudopod 74: Tumble
Pseudopod 034: Bliss

Whereas being rejected from drabblecast made my day, being rejected by Pseudopod made my week. I don't know if I got lucky or what, but editor Ben Phillips actually responded with encouragement and advice for improvement of my submissions of Underneath and I am Moloch. Editors are impossibly busy people, but whenever they take the time for a couple of lines of advice it makes all the difference to n00b writers who lap up any response they can get (like yours truly). So thank you Mr. Phillips. I sincerely appreciated it.

To cap it off: These are all excellent podcasts that are well worth your time. Subscribe with no delay! And editors, thank you for the fine work you do. Thank you for developing the discernment needed to deliver the best week in and week out. I hope to write something that will fit on your respective podcast soon.
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Saturday, March 7, 2009

Bloodsealed

Bloodsealed is the name of the novel project I am working on. It is a dark fantasy with elements of body horror set in an alternative middle ages where Carthage won the punic wars (amongst other things). Try to say that five times fast. Lots of gore, monsters and badass monster hunters. I had originally planned it as a graphic novel, but I can't draw and my artist dropped out. Such is life.

Here's the first two paragraphs:

"Miles from the town of westwheel, a monster waited in blackness. It hid past where the leagues of farmland fought the ancient ringing wood. It had eaten near here, snatching up the unwary manlings who grew complacent and had lost the proper respect for the unclaimed forest and all that it possessed. But in eating, the monster had drawn attention to itself. And now it was being hunted.

It could smell the manlings, the men who came to kill. The monster -it called itself Guterang- could smell their stink: their rotting clothes, the twist of hormones and pheromones seeping from their pores, but there was no fear in them. Twelve of them, lit by tiny points of flame. These were hunters, these were killers. They carried the fire metal that boomed and flung hard pebbles of iron. Guterang had tasted the bite of such things, and normally it would have slunk back deeper in between the trees or moved on entirely. But the monster could smell what was coming, even if the men could not. It pulled back its lips from its teeth and drooled in anticipation."

I like how this project is shaping up. I am writing consistently. Two things have been especially helpfull in actually getting this thing written.

The first was an article written by Cory Doctorow about writing in the age of the internet ie writing in the age of ubiquitous distraction (link http://www.locusmag.com/Features/2009/01/cory-doctorow-writing-in-age-of.html). The best advice I got out of the piece was to write for a set amount of time and stop even -or especially- mid sentance/paragraph/thought when your time is up. He compares this to knitters not closing their final loop so they have somewhere to start the next day. Which makes perfect sense, and works like a charm for yours truly.

The second usefull discovery (which I actually found when I tried to write a whole novel back in novemeber) is Dr. Wicked's Write or Die (link http://lab.drwicked.com/writeordie.html). It is a wonderfully simple tool. You type in the little box or 1) It will gently chide you 2) It will play annoying sounds at you or 3) It will begin to erase what you've already typed. The electric shock mode hasn't been implemented yet. Coupled with leaving loops open, I find write or die an excellent push to help me get over the whole 'I am simply not inspired right now' writer bs.

So that's what I've been working on in my dark dank cave. My other big project is friendlymadscientist.com which is ugly as sin right now but has real promise I think. I hope.

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